I am still surprised to learn that even some of my closest fellow  netaudio enthusiasts never heard the name of Hanne Adam or her musical  solo project ‘adamned.age‘. To me, Hanne is one of the most important  and creative figures of an ever evolving scene, that still hasn’t  reached it’s limits – and so hasn’t Hanne. When I first discovered her music, I  was attracted by the fine sound design art that runs through all of her  works. While cold at first glance, all her compositions are never  repellent, in fact they contain a common hypnotic element that opens the  door to deeper and deeper explorations that will never let you go  again. Like every great composer Hanne is an extremely fine observer, an  attribute she also lives out in her work as a photographer. Together  with her ‘partner in crime’ Tanja Dovens, better known as ‘Die  Minimalistin’ to some lovers of fascinating drones and soundscapes, she  is a part of Berlin’s ‘Urban Exploration’ scene, where she haunts in  abandoned places in the eastern part of the city, which by now haven’t  been found by investors or carpetbaggers to turn those pearls into money  making appartments or expensive spas for the upper class of Germany’s  lavish reborn capital. The pictures Hanne takes as well as the feelings she carries home  convert to sounds, melodies and compositions that give these places an  everlasting memorial far beyond the mere photographic moment. But there is another driving, darker force behind Hannes Adam’s  music and her often abstract and bleak sound design: Pain, whether  physical or emotional, has been a constant companion on her path through  life and art. “Music sometimes was the only language that gave that  pain a voice, the only thing that literally kept me in this life“, she  confessed during a conversation we had in November 2009. It is in these  precious moments of composing, of feeling that special occasion when a  very private emotion transforms into a sound, when Hanne enters into a  world without constant struggle and forgets about the defeats she  suffers against enemies she can’t win against in her real life. It might  be considered a sweet irony of her life that it is this pain, that  actually leads her to her highest artistical summits. And her wise smile  showed me she knows about this antagonism very well. It is my pleasure to witness one of the most precious jewels of  today’s netaudio scene coming together with one of the most caring  netlabels around for the best release adamned.age had so far. Enjoy  every sound, beat and emotion this musical giant has for you.
Thomas L. Raukamp in December 2009